Travesti temporalities relish breaking open time and demonstrating that neither the previous nor the long run are already created yet, but remain getting shaped through the present. The moment we shatter the linear timelines, we have assumed to generally be legitimate, we can easily see that point is often a palimpsest or possibly a collage that fo
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for the dangerous proximity of flesh, into the appetites of your monstrous entire body. The sexual economy that Rodríguez explores in her poetry is dependent upon the inevitably harmful circulation of travesti bodies throughout the eroticized cityscape of Santiago, and, at the same time, the deployment of monstrosity for a manner of resistance to